Developing
arts education policy at the Federal level: Originally published in Studies in Art Education, 49, 4 (2008). |
Three years ago I was asked to become an advisor on education
issues to Nancy Pelosi, who at the time was the Congresswoman from San Francisco.
I was pleased to agree. Shortly thereafter Ms. Pelosi made history by becoming
the first woman House Minority Leader. In November of 2007, when the Democrats
won majorities in both chambers of Congress, Leader Pelosi made history again
by becoming the first woman Speaker of the House. Two days after the election,
with the Speaker-to-be no longer needing my services, I was asked to begin advising
Congressman George Miller, Chair of the House Committee on Education and Labor.
I agreed under one condition: Given the greater scope of my advising (effectively
to the entire House of Representatives through the Committee), I would need
a group of educators to advise me. My condition was accepted and the National
Education Taskforce (the NET) was born. I began Googling prominent educators,
sending each an invitation to join.
Nearly everyone I have invited has accepted. As I write this, the NET has about
100 members, two thirds of whom are women. Our membership includes African-Americans,
Asians, Caucasians, Hispanics, and Native Americans. It reaches from coast to
coast with members from about half of the U.S. states and two from Canada. Based
on members’ expertise and interests, the NET subdivided into three divisions:
Educational Policy, Organizational Levels, and Academics. Each division has
several committees. The Committee on the Arts falls under Academics. The NET’s
Advisory Board consists of the committee chairs. The Executive Board consists
of the executive director, an associate director, and a secretary.
The NET is a child advocacy group. Teachers, administrators, staff, and other
groups within the education field advocate for their interests through their
own professional groups. Children, on the other hand, cannot unionize. They
cannot lobby. Therefore the NET advocates expressly for children in schools.
To keep itself free of undue influence, it is a nonprofit 501c(3) organization.
Because children are more effectively served if the NET works with people of
all political stripes, it is nonpartisan. Because issues, however serious, come
and go but relationships endure, the NET is based on relationships among its
members rather than on issues as such.
The issue we have grappled with since the NET’s inception is the renewal
of the No Child Left Behind Act (NCLB). Most of the NET’s committees have
formulated advisory statements that, along with other information, are posted
on our Web site at http://www.natedtaskforce.org
In July of 2007, three other NET members and I joined four members of the Institute
for Language Education and Policy (an English Language Learner advocacy group
led by James Crawford, a member of the NET) in Washington D.C. We were there
to meet with the offices of Congress members including Representative Miller
and Senator Ted Kennedy, Chair of the Senate Committee on Health, Education,
Labor and Pensions. Miller and Kennedy are considered the co-authors of NCLB.
Over the course of two and a half days, we had meetings in the offices of twelve
senators and eighteen representatives. On July 12 Speaker Pelosi invited me
to meet privately with her and her chief of staff. My description of the meeting,
written with a bit of humor, appeared in the August edition of NETwork, the
NET’s newsletter, at http://www.natedtaskforce.org/NETwork/07/08_aug/Pelosi%20meeting.htm
http://www.natedtaskforce.org/NETwork/07/08_aug/Pelosi%20meeting.htm
At every opportunity in our meetings with Congress members and staff, I argued
the case for replacing NCLB’s arts education language (which is almost
nonexistent) with language that makes clear its importance to children’s
development. I also left documents summarizing my points. (I should add that
the NET has also placed our materials with Hillary Clinton and Barack Obama.
NET member Linda Darling-Hammond advises Senator Obama on education issues.
If Mr. Obama becomes president, the NET’s influence will extend to include
the White House.)
I was especially determined to be persuasive in Miller’s and Kennedy’s
offices. Miller was speaking on the House floor at the time of our meeting,
but he had three staffers meet with us. They listened with interest to my arguments
and requested that I stay in communication with them. During the meeting in
Kennedy’s office a staffer asked if my documents were written in legislative
language. I said no, but that I would be happy to submit them as such. He suggested
that I do so in two days, since the House wanted to vote on the bill before
the August recess. The NET and other advocacy groups felt that an unacceptable
version would be voted on at that point so with vigorous lobbying we managed
to create gridlock through 2007, knowling that 2008, an election year, would
give us more time to press for a better-informed bill.)
I arrived at home, wrote a legislative language draft, had my art educator wife
Mary critique it, made the excellent changes she suggested, and forwarded the
copy to Patty Bode, who chairs the NET’s Committee on the Arts. She too
offered excellent suggestions. By then two days were nearly passed, so I forwarded
the document to Miller’s and Kennedy’s offices. I received an email
thank you from each office. The document we created reads:
Section 1. Title V, Part A, Subpart 15, Arts in Education is amended—
(a) in subsection 5551(a)(1) by inserting “The arts are defined as creative activities and products of the theater, the visual arts, dance, music, and multimedia combinations of the above, and shall be henceforth referred to as ‘the arts disciplines’”; and
(b) “To foster divergent thinking as a counterbalance to the convergent thinking fostered by most school curricula, a goal of public education shall be that all children are taught the arts by arts specialists. A further goal is that teachers of other subjects from Early Childhood through twelfth grade shall use the arts to embellish the teaching of those subjects. The teaching of art by teachers of other subjects shall not replace the teaching of the arts by art specialists, but shall occur in addition to it.”
(c) in subsection 5551(a)(2) by inserting “A goal of public education shall be for all children to receive an average of ninety minutes of art instruction per week, under the guidance of specialists in the respective arts disciplines. This instruction is to occur during the regularly scheduled school day. Arts instruction time shall not be interrupted to tutor children in other subjects or to prepare them for assessment examinations in other subjects”; and
(d) “A goal of public education shall be that arts education shall include instruction in every arts discipline.”
(e) in subsection 5551(a)(2) by inserting “To foster diversity, the study of arts forms created by artists and communities representing multiple races, cultures, religious affiliations, gender identities and under-represented groups as well as traditionally recognized groups, shall be included in all arts curricula”; and
(f) “To teach children to interpret media messages critically, arts curricula shall include study of mass media and popular culture with attention to the manipulations of arts and aesthetic content in advertising and propaganda”; and
(g) “To create a civically engaged and ethical citizenry, study of the arts shall include the examination of social justice and ethical questions posed by artworks throughout history and across world cultures.”
If this arts language becomes Federal law, what will
that mean? First, the language refers not only to visual art, but to the arts;
it would affect theater, dance, and music as much as visual art.
Second, it will make U.S. arts education curricula inclusive. One would think
arts educators would unanimously support this development, but sexism, racism,
homophobia, and myriad other prejudices live on in our profession. So this language,
if made law, will create controversy within the arts fields.
Third, the law will protect arts education from encroachment by other subjects.
If our proposed language is not included in NCLB’s new incarnation (Speaker
Pelosi told me she wants to call the replacement law New Directions), it most
likely will be because of this third point. As readers of this journal know,
the prevailing mindset regarding public education is still that the core subjects
of half a century ago?math, reading, science and social studies?form an adequate
core for today. None of the “enrichment” subjects is judged worthy
of core status.
This view is open to an array of sobering critiques. One of the most glaring
stems from the fact that the U.S. no longer dominates the world. Unprecedented
political, economic, and even theological challenges are emerging from every
corner of the globe?India, the European Union, China, the Middle East, the Pacific
Rim. Our children need to learn more than how to work on the farm or in the
factory. And the private sector periodically points out that our schools do
not graduate innovative problem-solvers.
Arts education skeptics must acknowledge that the outside-the-box thinking children
develop in arts classes can help solve tomorrow’s challenges. We all must
realize that our artist-visionaries aid human progress. The nations whose workforces
have the greatest imagination, creativity, innovation, and vision are already
poised to lead in tomorrow's global community. Note the People’s Republic
of China (PRC), which a decade ago, I personally observed, did nothing with
creativity in their schools. Since then they have discovered the link between
innovation and economic success and are moving toward first place in the global
market.
However, many policy makers do not understand arts education. They want the
schools to remain free to use “enrichment” subject time for standardized
test practice in math, reading, and science. For this reason they might object
to the part of the proposed arts language that protects arts instructional time.
What then if our proposed language does not survive debate? The arts will continue
their struggle to survive. We will continue our efforts to replace our nation’s
benighted views with informed ones. The NET will continue to work with Congress
(and, we hope, the incoming occupant of the White House) to legislate robust
language for arts education.
So where do we stand today?
These circumstances offer arts education an unprecedented
policy opportunity. Our task is to make the most of it. If you want to join
our effort, please contact me at dennis.fehr@ttu.edu.
Author Note
Inquiries regarding this article may be sent to Dennis
Earl Fehr, 5103 Second Street, Lubbock TX 79416.